Kristeva j. powers of horror an essay on abjection

Whereas the objet petit a allows a subject to coordinate his or her desires, thus allowing the symbolic order of meaning and intersubjective community to persist, the abject "is radically excluded and," as Kristeva explains, "draws me toward the place where meaning collapses" Powers 2. It is neither object nor subject; the abject is situated, rather, at a place before we entered into the symbolic order. On the symbolic order, see, in particular, the Lacan module on psychosexual development. As Kristeva puts it, "Abjection preserves what existed in the archaism of pre-objectal relationship, in the immemorial violence with which a body becomes separated from another body in order to be" Powers

Kristeva j. powers of horror an essay on abjection

An Essay on Abjection. Joel Peter Witkin, Andres Serrano. Whitney Museum of Abject Art Strengths and weaknesses of the Kristeva model of the Abject Strengths Appeals to universal sense of disgust when faced with body fluids and waste products Explains popular cultural narrative of horror and misogyny Builds on a tradition of psychoanalysis derived from Freud and Lacan Appeals to the reality of violence against women and links with its psychosocial dimensions.

Relates to common patterns of encoding based on distinctions between clean and unclean Creates an ambiguous and richly poetic metaphor for the sense limit and liminality Outlines a conflict in gender between patriarchal signification and the female imaginary Explains female oppression as an inability to cast off the internalization of the mother Maps out an aesthetic and political category derived from both from psychoanalytic reading and corporeal differences Establishes a widely- deployed key term to describe and organize an abject art movement The Weaknesses A fuzzy, confused and contradictory category is loosely sketched.

The psycho-analytic foundations have been superseded and discredited. The psycho-analytic models appeal to an academic and professional cult rather than open enquiry Tends to re-enforce horror and disgust rather than celebration of the open body Bakhtin The abject category relies on a questionable notion of primary matricide The explanatory model is grounded primarily in its application to avant-garde art Rather than being actually or potentially emancipatory, the abject school of enquiry reproduces the script of exclusion and exploitation.

On the Discursive Limits of Sex. London and New York: Feminism and the Subversion of Identity. Aesthetic Makeovers in Medicine and Culture. Film, Feminism and Psychoanalysis. An Analysis of Concepts of Pollution and Taboo. Building the Body of Love. University of California Press. Gothic Horror and the Technology of Monsters.

Durham, NC and London: Treichler eds Cultural Studies. Myth, Psychoanalysis and the Law of the Mother. An Essay on Abjection, trans.

Theory and History of a Strong Sensation, trans. The Work of Cindy Sherman. Unravelling the Double Bind. Risk, Excess and Modernity. Encounters with the Vulnerable Self.

New York and London: Interviews, Strategies, Dialogues, ed. Regulating the Reproductive Body.Julia Kristeva Powers of Horror: An Essay on Abjection Columbia University Press ‘ Powers of Horror is an excellent introduction to an aspect of contemporary French literature which has been allowed to become somewhat neglected in the current emphasis on para-philosophical modes of discourse.’.

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Powers of Horror - Wikipedia

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"Kristeva is one of the leading voices in contemporary French criticism, on a par with such names as Genette, Foucault, Greimas and others Powers of Horror is an excellent introduction to an aspect of contemporary French literature which has been allowed to become somewhat neglected in the current emphasis on paraphilosophical modes of discourse.

Throughout this essay, Kristeva plays with the titles of Celine's novels (and a few others: Robert Musil's The Man Without Qualities makes a fleeting appearance toward the end). Kristeva describes subjective horror (abjection) as the feeling when an individual experiences, or is confronted by (both mentally and as a body), what Kristeva terms one's "corporeal reality", or a breakdown in the distinction between what is self and what is Other.

Kristeva j. powers of horror an essay on abjection
"The Powers of Horror: An Essay on Abjection" by Julia Kristeva